TECHTechnology

When AI music stops sounding artificial

The latest track from 1010Benja, Semiramis’ Dream, presents a rare creative paradox: a song built on Suno’s generative AI that avoids the genre’s typical blandness. By weaving synthetic elements into a hyperpop framework, the artist manages to turn a tool often criticized for its sterile output into something genuinely infectious.

July 19, 20261,317 reads0

Benja’s approach to his new EP, Time Has Nothing To Do With What You Choose…, rejects the usual hidden implementation of generative software. While the rest of the project falters compared to his 2024 work Ten Total, the opener succeeds by grounding the production in a frantic jungle beat and his own human vocal performance. The choir of backup vocalists, often the most glaring tell in AI-generated compositions, is successfully camouflaged through rapid-fire editing and heavy processing.

Rather than masking the technology, Benja outlines a collaborative workflow involving producer Patrick Holder and Ableton software. The process involves feeding elements into Suno, editing the results externally, and cycling them back through the generator. By leaning into the uncanny aesthetic of modern pop, Benja has created a track that challenges the assumption that AI-assisted music is inherently devoid of character.

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